campo garzon: aunties in dis place

In December 2024, niceaunties participated in an art residency at Campo Garzón in Pueblo Garzón, Uruguay, alongside twelve other artists. The residency culminated in the 8th Campo Garzón Art Fest, exploring the theme UN/settled: Migration + Movement. Out of it came Aunties in Dis Place, an installation and video work about cultural displacement, adaptation, and what it means to arrive somewhere entirely new.

The project began with early morning walks through the village, documenting textured facades, wandering animals, and quiet moments of rural life. A video travel diary emerged, layering real environments with AI-generated aunties, transforming the village into an imagined space where reality and fiction intertwined.

niceaunties was given a large house to present the work, and what better way to announce an auntie's presence than with laundry? Large-scale auntie underwear, sewn by a local seamstress, hung outside as a bold, humorous visual statement. Inside, layers of translucent laundry sheets became projection surfaces, forming a maze-like path that visitors navigated to reach the main video work.

From the giant lingerie outside to the overlapping projections on eight layers of gauze, the installation mirrored the experience of arriving in a new place, where first impressions give way to deeper layers of understanding. The final 4.5-minute video served as both a travel diary and a reflection on displacement, migration, and the shifting perceptions that come with stepping into the unknown.

Aunties in Dis Place (2024)

As part of the residency, niceaunties developed Aunties in Dis Place, an installation and video work exploring themes of migration, cultural displacement, and adaptation. The project began as an open-ended inquiry—an attempt to observe and be influenced by local culture without preconceived notions. However, the experience of living in a new continent for the first time, without speaking the local language, and adjusting to the rhythms of rural life—amidst looming creative deadlines—became an unexpected challenge.

As an artist deeply familiar with transient spaces, niceaunties approached the environment with curiosity, but the realities of cultural and physical displacement soon surfaced. The artist and fellow residents, all visitors themselves, navigated the delicate balance between wanting to connect and feeling the urge to retreat. The work ultimately became a reflection on the experience of being a "visitor"—of crossing thresholds into unfamiliar territories and encountering the layers of a place and its people.

the process

The project’s development began with early morning walks through the village, documenting everyday sights—textured facades, wandering animals, and quiet moments of rural life. A video travel diary emerged, capturing these real environments and layering them with AI-generated aunties, transforming the village into an imagined space where reality and fiction intertwined. Some clips were created by training AI models on photos taken in the village, further blurring the lines between documentation and interpretation.

A bird perched on a wire in front of a clear blue sky with leafy branches.
A bird perched on a power line with trees and a blue sky in the background.

The installation itself played with ideas of visibility, boundaries, and layers of experience. niceaunties was given a large house to present the work—and what better way to announce an auntie’s presence than with laundry? Large-scale auntie underwear, sewn by a local seamstress, was hung outside, immediately marking the space with a humorous yet bold visual statement. Inside, layers of translucent laundry sheets became projection surfaces, forming a maze-like path that visitors had to navigate to reach the main video work.

Woman in black dress carrying a large tray of food into a dining room with large windows and wooden tables.
Colorful children's playground with animal-shaped spring riders, including giraffes and elephants, on a sandy surface with trees and outdoor structures in the background.
Two yellow dog-shaped seesaws facing each other in a park on a sunny day.
A large digital projection displaying colorful images of flowers, fireworks, and a person's face, with a person standing in front holding a device. The projection also includes the text "niceaurthis."

From the giant lingerie hanging outside to the overlapping projections on eight layers of gauze, the installation mirrored the experience of arriving in a new place—where first impressions give way to deeper layers of understanding. The final 4.5-minute video piece served as both a travel diary and a reflection on displacement, migration, and the shifting perceptions that come with stepping into the unknown.

Colorful display of various decorated balls and figures in a dimly lit room with a projection of people on a wall.
Clothes hanging on a line indoors, with a building and yellow flowers in the outdoor setting.

This project is part of an ongoing exploration into themes of cultural identity, movement, and the reimagining of personal and collective narratives through AI and installation art.

Below photos by niceaunties, Dario Invernizzi , Diego Weisz, Guillermo Fernandez